Articles, chapters, essays, reviews and other writings published alongside the books. Click any title to read the entry, download PDFs or follow the DOI.
Semantic Scholar Google Scholar Cambridge Core DOI Foundation Academia.edu DMU Open Research
- 2026 'Something to Hold on to 2'
- 2022 ‘Re-composing Mexican Radio’PDF
- 2021 It’s Not (Just) About History and, by the Way, Which History?PDF
- 2021 From AI Enabling Sound Spotting to Zeitgeist Incorporated into EMS
- 2020 Hildegard Westerkamp’s 'Beneath the Forest Floor (1992)'PDF
- 2019 ”Recomposing Sounds … and Other Things”
- 2019 Editorial: Bringing New Music to New Audiences
- 2019 Composing with Sounds: Designing an Object-Oriented DAW
- 2018 “The Three Paths: Cultural retention in Chinese electroacoustic music"PDF
- 2017 “But Is It (Also) Music?"PDF
- 2017 “Finding a Way to Tie Technology, Aesthetics and Dramaturgy Together in Terms of Experimental Sound-based Music”PDF
- 2017 “The Sounds of Music”PDF
- 2017 On the Music of Sounds and the Music of Things (EMS2017)
- 2017 In Pursuit of the Innovative and the Accessible
- 2016 Sound Art vs. Electroacoustic Music
- 2016 "Introduction" (with Simon Emmerson), "The Analysis of Electroacoustic Music: The differing needs of its genres and categories" (with Simon Emmerson)PDF
- 2016 Trevor Wishart's Children's Stories II, analysisPDF
- 2016 Keynote 4: Rethinking the History of Sound-based Music
- 2015 “Comment l’analyse fondée sur l’écoute peut-elle faciliter la compréhension et l’appréciation de la musique électroacoustique?”PDF
- 2015 Dokument: ‘Spar deinem Schiff die unbequeme Fracht, Den Mißlaut meiner Schmerzen deinem Ohr’PDF
- 2015 "Über die Zusammenarbeit mit Heiner Müller"PDF
- 2015 Briefly mentioned
- 2015 20 Years of Organised Sound: Looking back and forward
- 2015 Wprowadyanie młodzieży w świat organizowania dźwięków
- 2014 EARS 2, The ElectroAcoustic Resource Site Pedagogical Project
- 2013 “music Technology, Music technology or Music Technology?”PDF
- 2013 “Widening Participation in Electroacoustic Music: The EARS 2 pedagogical initiatives”PDF
- 2013 eOrema – a word of welcome
- 2013 The Compose with Sounds website
- 2012 “Discovered whilst entering a new millennium:PDF
- 2012 The Analysis of Electroacoustic Music (EMS12)
- 2011 “Thinking Concretely about Pierre Schaeffer”PDF
- 2011 Art for Goodness' Sake
- 2011 Book review: Oskamp, Onder Stroom
- 2010 “From Music in the Laboratory to Music of the Folk: On the future of sound based music”PDF
- 2010 Educating students in electroacoustic music studies
- 2010 From Music in the Laboratory to Music of the Folk
- 2010 Increasing Access to Sound-based Music – www.eEMS
- 2010 Book review: Saunders (ed.) Ashgate Research Companion
- 2010 En el Límite
- 2009 “Sound-based Music 4 All”PDF
- 2009 Écoute Réduite – a wrong turn in the history of electroacoustic music?
- 2009 Re-introducing Life into Art
- 2009 Digital Musicking and Co-hear-ence
- 2009 Tian, Yang & Landy: Ontology-based Music Learning System
- 2008 “On the Paradigmatic Behaviour of Sound-based Music”PDF
- 2008 “On the Paradigmatic Behaviour of Sound-based Music” (EMS08 Paris)
- 2008 “Where Does Sound Art Fit?” / “Hvor passar lydkunst inn?”PDF
- 2008 Re-composing words
- 2008 New aesthetics and practice in experimental electronic music
- 2008 Where does sound art fit?
- 2008 Tian, Yang & Landy: MDA-based Development of a Music Learning System
- 2008 MGG entry: Landy, Leigh (Supper)
- 2007 The ElectroAcoustic Resource Site (EARS)PDF
- 2007 The Electroacoustic Resource Site (EARS) Approaches its Next Phase
- 2006 “La Zététique: Musique mixte créée en collaboration”PDF
- 2006 The Intention/Reception ProjectPDF
- 2006 Electroacoustic Music Studies and Accepted Terminology
- 2005 The Music, Technology and Innovation Research Centre Studio Report
- 2005 Why I Haven't Written about the Pieces Played at ICMC
- 2004 The ElectroAcoustic Resource Site (EARS): Philosophy, Foundation and AspirationsPDF
- 2004 There's good news and there's bad news
- 2003 Borrowing or Stealing? Celebration or Global Village?PDF
- 2003 About the ElectroAcoustic Resource Site (EARS) Project
- 2003 Electroacoustic Music: Analytical Perspectives (review)
- 2003 Measuring Intention Against Reception
- 2003 In transit, or realising one's aesthetic
- 2003 Introducing the ElectroAcoustic Resource Site (EARS)
- 2003 Book reviews: Schulz (ed.): Hess, Minard, Kubisch
- 2002 La synthèse sonore: enfin l’émancipation?PDF
- 2002 The emancipation of sound in that box we call a theatre
- 2002 ElectroAcoustic Resource Site (EARS)
- 2001 From Algorithmic Jukeboxes to Zero-Time Synthesis: A Potential A–Z of Music in Tomorrow’s WorldPDF
- 2001 Measuring Intention against Reception in Electroacoustic Music
- 2001 Analysis without inkPDF
- 2000 The Music, Technology and Innovation Research Group Studio Report
- 2000 Co-hear-ence and electroacoustic music
- 2000 Music as organised notes and sound
- 2000 Recording the ephemeral in music
- 1999 ”Reviewing the Musicology of Electroacoustic Music”PDF
- 1999 Heightening Access and Cohesion within the Worlds of Electroacoustic Music
- 1998 L’espace divisé vs l’espace unifiéPDF
- 1996 Quality and Quantity (if we’re lucky) or Marcuse’s Problem Ain’t Been Solved YetPDF
- 1995 ”Digital Technology Can Aid in Bringing Music Back as a Part of Life”PDF
- 1994 ”Composition and Performance in the 1990s”PDF
- 1994 ”The ‘Something to Hold on to Factor’ in Timbral Composition”PDF
- 1994 University College Bretton Hall, Studio Report
- 1992 'Avant Garde and Technology'PDF
- 1992 "La musique éléctroacoustique" (of François Bernard Mâche)PDF
- 1992 Letter re: "The Dilemma of the Marginalization of Computer Music"
- 1990 "Is More than Three Decades of Computer Music Reaching the Public It Deserves?"PDF
- 1989 "John C A G E: anarchist musician"PDF
- 1988 "How often have you seen your compositions performed?"PDF
- 1988 "Duchamp, Dada Composer and his Vast Influence on Post-World War II Avant-garde Music"PDF
- 1987 ”Comp (exp. mus) = ft(sum)'parameters' ( ~ )”PDF
- 1987 An Analysis of Tayutai for Koto (1972) by Makoto Shinohara, A 3-dimensional Approach
- 1983 "New Notation?"PDF
- 1983 At a Fork on the WayPDF
- 1982 "New Music and the Media, or Mr. Businessman's Veni, Vendidi, Vici"PDF
- 1981 "Music and Politics: a Reply"PDF
- 1980 ”At a Fork on the Way – 4: World Music and this thing called Serious Music”PDF
- 1977 Score of 'Regiones Vocales' in Michael Gibbs (ed.), Kontextsound